Christina Li

Christina Li is a Hong Kong-born curator and writer based in Amsterdam. She has worked in various curatorial capacities in institutions across Asia and Europe such as Para Site, Hong Kong (2006-08), SKOR (Foundation Art in Public Space), Amsterdam (2009-10), and BAK, Utrecht (2011-12). Between 2015 and 2017, she was the director at Spring Workshop, Hong Kong, where she curated, among other commissions, A Collective Present: Tiffany Chung and Koki Tanaka (2017), Wu Tsang: Duilian (2016) and the inaugural exhibition "Dismantling the Scaffold", at Tai Kwun Contemporary, Hong Kong (2018). She was artistic director of "Ghost2565: Live Without Dead Time", the 2nd edition of the triennial series of moving image and performance, Bangkok (2022). Her recent shows include Xinyi Cheng’s solo presentation "Seen Through Others", Lafayette Anticipations, Paris (2022); "Pilvi Takala: Close Watch", Pavilion of Finland at the 59th International Art Exhibition – La Biennale di Venezia (2022); "...pausing barely, barely pausing...", A Tale of A Tub, Rotterdam (2021); "Palms, Palms, Palms", Z33, Hasselt (2020); "Shirley Tse: Stakeholders", Hong Kong’s presence at the 58th International Art Exhibition of La Biennale di Venezia (2019) and its subsequent iteration in M+, Hong Kong (2020). Li's writing has been published in catalogues and other periodicals such as Artforum, Art Review Asia, LEAP, Parkett, Spike and Yishu Journal of Contemporary Art.